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6 assisted by Olympic gold medalist Gabby Douglas. Keys first performed the Inferno version-featuring Nicki Minaj-at the MTV Video Music Awards on Sept.
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Co-written and co-produced by Keys, Jeff Bhasker and Remi, the single was recorded as a three-track suite: a main version plus two remixes, Inferno and Bluelight.
Mixing live and programmed elements, the resulting album is both organic and contemporary, accented by heavy drums with electronic and reggae infusions. “With all the new things I’ve been experiencing, it felt right to push myself and see where it took me.” “It was fun to experiment with people I hadn’t worked with before,” Keys says.
We were on the same page in terms of words and melody. I call her ‘Sunny Vibrations.’ You’re never sure of how a collaboration is going to go. that’s when I knew who she was and how special she is.
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“I experienced the full essence of who Alicia is, and a song idea clicked with me right then,” says Edmonds, who had met the singer only a couple of times beforehand. up-and-coming singer/songwriter Emeli Sande, who co- penned “Brand New Me.”Īlicia Keys Previews ‘Girl on Fire’ Songs at NYC ShowĮdmonds says it was a phone call invite from Keys’ camp that set things in motion for him to fly to Jamaica to collaborate with the singer/songwriter on the simple, acoustic guitar-laced love song “That’s When I Knew.” The idea for the song came to him as he watched Keys sing and play in the studio. So joining such returning collaborators as Brothers and John Legend are singer/songwriters Bruno Mars and Kenneth “Babyface” Edmonds, producer Salaam Remi, Pop & Oak (whose production credits include Nicki Minaj and Elle Varner), emerging producer/remix artist Jamie xx and fellow U.K. That was the mandate.”Īs part of that mandate, Keys sought out people she hadn’t worked with before. “I just wanted to craft great songs and create emotion with incredible songwriting talents. “It was a very eased-in process that helped me realize one thing,” she recalls. Then she would bounce ideas off longtime collaborator and friend Kerry “Krucial” Brothers. She credits her husband, songwriter/producer/DJ Swizz Beatz, and 2-year-old son Egypt for helping her see the world with new eyes and feeling “less contained and much more open.” In fact, two months after Egypt was born, Keys began writing a few songs by herself. Keys adds, “This is me stepping into my complete woman- hood, my journey to becoming fearless.” It’s a very big step in a new direction.” But on this album she has dug deep, become more confessional and personal versus talking in gen- eralities. “She has a very emotional way of delivering a song.
“That’s the most personal song Alicia has done,” says RCA CEO Peter Edge, who signed Keys to J. Opening track “Brand New Me” sets the stage: “It’s been awhile, I’m not who I was before/You looked surprised your words don’t burn me anymore/Been meaning to tell you, but I guess it’s clear to see/Don’t be mad it’s just a brand new kind of me/Can’t be bad I’ve found a brand new kind of free,” sings Keys, whose chic bob is also emblematic of her changing focus.
THIS GIRL IS ON FIRE IS AN EXCERPT: Click to Buy the Issue But this time around, Keys’ creative spark is stoked by enterprising collaborations and deeper lyrical honesty. The singer’s trademarks are still in place: impassioned soulful vocals, self-accompanied by distinctive piano fusing classical and gospel runs with R&B/ hip-hop and pop melodies and beats. 27 RCA Records release-her first since former label J Records was absorbed under the RCA banner. That declaration rings loud and clear throughout “Girl on Fire.” Fine-tuning the self-discovery process she initiated with 2007’s As I Am, Keys alternately rages and simmers on the Nov.
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This whirlwind has definitely forced me to be who I am, to be free enough and brave enough to just not accept anything else-nor try to be anything else.” an entire crazy dynamic of lessons and emotions to grow into and claim. “The most newest, the most difficult, the most loving, the most dream-filled, the most breaking free. “These last three years have been the most in every way,” Keys says during a promotional stopover in Dallas. And in the middle of this whirlwind of activity, she found time to write and record a fifth studio album, the aptly titled “Girl on Fire.”
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